![fl studio male vocal eq preset fl studio male vocal eq preset](https://media.wavescdn.com/images/products/plugins/600/manny-marroquin-eq.png)
In my experience, I use this approach the most when dealing with harsh frequencies as it often yields the very transparent results when executed correctly. Use Clip Gain and Volume Automation to Manually Reduce Volume This leaves the other moments of the track unaffected and doesn’t cause problems when key changes occur. I will often set a dynamic EQ on individual vocals and have it reduce harsh resonant frequencies only when they become too overpowering on specific phrases or words.
![fl studio male vocal eq preset fl studio male vocal eq preset](https://i.ytimg.com/vi/HY2j5v0QPlE/maxresdefault.jpg)
This is great, as it will only attenuate a frequency when it becomes too loud in the track and exceeds a threshold determined by you. I propose another solution: dynamic EQ.ĭynamic EQ works the same as traditional EQ with one added twist: it only works when the frequency you are trying to adjust exceeds a pre-determined volume threshold. Automating the EQ can remedy this problem but that is also more work to set up properly. As I previously mentioned, using regular EQ can negatively impact the source material as it affects the sound consistently throughout a song, even at times when you may need the frequencies you are cutting. Use a Focused Dynamic EQĭynamic EQ is my second favorite method for taming harsh vocals. It may be also good idea to use automation to bypass the EQ when it is not needed, that way you effectively reduce the harsh frequencies only when you need to.įor more help with EQing vocals, watch my tutorial 3 Ways To EQ Vocals. However, when a key change occurs during a chorus, losing 4.5 khz could negatively affect it’s overall presence during those moments. Because of negative side-effects like this, I resort to EQ after I’ve explored my other corrective options. Keep in mind that doing this will affect that frequency’s presence throughout the entire song.įor example, I may notch out 3db of 4.5khz and find that it corrects my problems during harsh moments in the verse. Using a narrow Q, sweep across and find harsh resonances in the high-end (usually between 2-10khz) and reduce them as you see fit using your ears’ judgement. Therefore, it can be used to reduce unwanted frequencies and increase desired ones as well. I liken EQ to having a volume fader on every frequency that makes up a sound. De-essing the vocal master track can help correct this issue when it presents itselfĪnother helpful read for more information on de-essing: “ What Is A De-Esser and How Does It Work?” Use a Narrow EQ to Cut Harsh FrequenciesĮQ can be a great tool for reducing specific harsh frequencies overall. This is because sometimes the combination of lead vocals with backgrounds and other tracks may create harsh frequency build-up at the master level. Often I will de-ess directly on an individual vocal track and also on the overall vocal master that affects all vocal tracks if I see fit.
![fl studio male vocal eq preset fl studio male vocal eq preset](https://i.ytimg.com/vi/39J3TOmwq4k/maxresdefault.jpg)
By distributing the de-essing work amongst two or more de-essers in series, you’ll split the workload and can tame the harshness in your vocals more transparently. You may also use several de-essers in series to tame the harsh material more moderately and in stages, as opposed to using one de-esser aggressively to treat the issue. This would leave the vocal primarily unaffected when there aren’t any harsh moments, and only have it engage and reduce problem areas when we really need it to. We can use a de-esser to reduce the volume of these harsh moments only when they happen. Waves Renaissance DeEsser – a popular de-essing pluginĪ de-esser is essentially a form of multi-band compression that focuses solely on compressing the frequency range that typically contains “S”, “CH” and “T” sounds, often between 2-10khz but potentially higher or lower depending on how you set it up. This can be applied to individual vocal tracks or directly on a vocal master that controls a group of vocals. Use a De-Esser to Tame Harsh FrequenciesĪ common quick fix for this issue – or at least a good starting point – is to use a de-esser to tame harsh frequencies on your vocal. Some, none or all of these strategies may apply – use your best judgement to decide which approach to use, and how to organize your session in order to achieve the best results. Therefore, when approaching harsh vocals, we must be aware of how we can correct this problem without affecting the parts that aren’t problematic. These resonances often don’t happen all the time but rather only when certain consonants, phrases and notes occur within the vocal performance.
![fl studio male vocal eq preset fl studio male vocal eq preset](https://curiositysound.com/wp-content/uploads/2021/12/98.png)
The true problem with harsh vocals is that they are caused by specific frequency resonances within the high frequencies of the vocal track.